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How to incorporate them into your home? “You could find a vintage table and redo the top of it with Formica,” suggests DeAngelo. The once-maligned materials have been quietly staging a comeback for years and remain key to the Wes Anderson aesthetic. © 2020 Twentieth Century Fox Film Corporation Reconsider Formica and linoleum You can never have too many.”īill Murray’s Arthur Howitzer Jr in the lemon-coloured offices of The French Dispatch, surrounded by typewriters, rotary phones and vintage fans. “Anytime I saw anything that was that colour, I’d buy it, and I also bought every cool lamp I could find. “There was a green lamp on the desk of Arthur Howitzer Jr and that shade of green is so specifically Wes,” continues DeAngelo. I’ve never seen anything like it.” Add green accents (and lots of lamps) “Wes said, ‘Wouldn’t it be great if we had an electric chair like that?’ So, my set dressers who were also carpenters built it. “So, we made all the writers’ office desks like that.” But, the helical detailing pops up elsewhere, too, including on the electric chair that Benicio del Toro’s Moses Rosenthaler briefly straps himself into. “When I was buying furniture, every time I showed Wes something that had a barley-twist table leg, he was like, ‘I like that,’” laughs DeAngelo. © 2021 Twentieth Century Fox Film Corporation Get a desk with barley-twist legs Hippolyte Girardot, Stephen Park, Jeffrey Wright and Mathieu Amalric in a dining room packed with barley-twist legs in The French Dispatch. “And we even found extra rolls of it in that building, from when they’d put it up in the ’60s.” Elsewhere, her team relied on the vintage wallpaper supplier Hannah’s Treasures, which is dedicated to sourcing eye-catching rolls printed between the 1930s and 1970s.
“We found that wallpaper on location,” says DeAngelo. In The French Dispatch, the most striking design (visible in the trailer) is in the bathroom where Frances McDormand’s Lucinda Krementz encounters Timothée Chalamet’s Zeffirelli – a bold, almost cubist floral motif. Pick out some vintage wallpaperįrom the galloping zebras in Margot Tenenbaum’s bedroom to the vibrant prints inside the Darjeeling Limited, Anderson is known for his love of eccentric wallpaper. “I just loved all the glass and mirrors.” The French New Wave classic should certainly be essential viewing for anyone considering a kitchen or dining room renovation. She adds that it was the café in the latter – where Anna Karina, Sami Frey and Claude Brasseur dance – that inspired The French Dispatch’s bright yellow Le Sans Blague café. “Wes gave us a list of French films to watch that he loved,” explains DeAngelo, listing François Truffaut’s The 400 Blows (1959), Albert Lamorisse’s The Red Balloon (1956) and both Jean-Luc Godard’s Masculin Féminin (1966) and Bande à part (1964). © 2020 Twentieth Century Fox Film Corporation Take your cues from French cinema of the ’50s and ’60s Wally Wolodarsky, Bill Murray and Owen Wilson in the sepia-toned world of The French Dispatch.